In November 1894, Frank Harris bought the Saturday Review, a conservative weekly periodical. His new staff included the critic and poet Arthur Symons, who was developing a burgeoning reputation as a proponent and practitioner of Decadent literature. Using responses to the work of Paul Verlaine, this article explores how Harris's ownership of the Saturday Review provided Symons with an outlet for his critical writings on avant-garde French literature. The confluence of Symons, Harris, and the Saturday Review provides insights into the development of periodical discourse on Decadent and Symbolist writings beyond the pages of exclusive publications such as the Yellow Book and the Savoy
Arthur Symons’s The Romantic Movement in English Poetry (1909) has elicited scant discussion. Part d...
My honors thesis seeks to examine the redemptive potential of the lyric form in urban modernity. I s...
The distinctive corporate style of the <i>Saturday Review</i> was recognized by Victorians and is of...
In November 1894, Frank Harris bought the Saturday Review, a conservative weekly periodical. His new...
First published in 1899, The Symbolist Movement in Literature was a highly influential work of criti...
International audienceThis article investigates Arthur Symons’s translations of French poets Verlain...
Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s....
This chapter examines the reception of Decadence in Britain by focusing on responses to the poet Pau...
My intent here is to explore the range and ingenuity of Arthur Symons’s participation in print cultu...
Arthur Symons is currently regarded as a cultural mediator of the cosmopolitan fin de siècle. He sta...
International audienceThe critical reception of critic, journalist and short-novelist A. Symons rais...
« Le bréviaire du mouvement décadent »: ainsi Arthur Symons qualifiait le roman de J. K. Huysmans À ...
The essay aims at a re-evaluation of Arthur Symons, a major figure not simply in the English, but al...
International audienceFin-de-siècle French decadence is one expression of the partial autonomy from ...
Arthur Symons’s description of J. K. Huysmans’s À rebours as ‘the breviary of decadence’ is widely c...
Arthur Symons’s The Romantic Movement in English Poetry (1909) has elicited scant discussion. Part d...
My honors thesis seeks to examine the redemptive potential of the lyric form in urban modernity. I s...
The distinctive corporate style of the <i>Saturday Review</i> was recognized by Victorians and is of...
In November 1894, Frank Harris bought the Saturday Review, a conservative weekly periodical. His new...
First published in 1899, The Symbolist Movement in Literature was a highly influential work of criti...
International audienceThis article investigates Arthur Symons’s translations of French poets Verlain...
Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s....
This chapter examines the reception of Decadence in Britain by focusing on responses to the poet Pau...
My intent here is to explore the range and ingenuity of Arthur Symons’s participation in print cultu...
Arthur Symons is currently regarded as a cultural mediator of the cosmopolitan fin de siècle. He sta...
International audienceThe critical reception of critic, journalist and short-novelist A. Symons rais...
« Le bréviaire du mouvement décadent »: ainsi Arthur Symons qualifiait le roman de J. K. Huysmans À ...
The essay aims at a re-evaluation of Arthur Symons, a major figure not simply in the English, but al...
International audienceFin-de-siècle French decadence is one expression of the partial autonomy from ...
Arthur Symons’s description of J. K. Huysmans’s À rebours as ‘the breviary of decadence’ is widely c...
Arthur Symons’s The Romantic Movement in English Poetry (1909) has elicited scant discussion. Part d...
My honors thesis seeks to examine the redemptive potential of the lyric form in urban modernity. I s...
The distinctive corporate style of the <i>Saturday Review</i> was recognized by Victorians and is of...